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In Heat Not Sorry
Following their work with Fabien Leseure on the Sweet Jelly Roll EP (A Recordings) in 2013, plans were made to further explore the potential for capturing the band’s intense live energy. The group returned to Berlin in 2014 and spent three weeks exploring, experimenting and recording with Leseure at the controls.
The project began with a great variety of songs and ideas, a unique and cohesive style emerged with an emphasis on live recording.
The resulting ten tracks are representative of the group’s evolution – beginning with a lush psychedelic sound and pushing towards a stark headspace. This album has been influenced by the beautifully dismal surroundings of the 1950s Funkhaus studio building (a former DDR radio center). In many ways IN HEAT NOT SORRY’s sound and atmosphere encapsulates the band’s ongoing fascination with testing and sometimes disrupting that fine balance between tranquility and chaos.
The project began with a great variety of songs and ideas, a unique and cohesive style emerged with an emphasis on live recording.
The resulting ten tracks are representative of the group’s evolution – beginning with a lush psychedelic sound and pushing towards a stark headspace. This album has been influenced by the beautifully dismal surroundings of the 1950s Funkhaus studio building (a former DDR radio center). In many ways IN HEAT NOT SORRY’s sound and atmosphere encapsulates the band’s ongoing fascination with testing and sometimes disrupting that fine balance between tranquility and chaos.
$10,320.45
In Heat Not Sorry—
$10,320.45
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Description
Following their work with Fabien Leseure on the Sweet Jelly Roll EP (A Recordings) in 2013, plans were made to further explore the potential for capturing the band’s intense live energy. The group returned to Berlin in 2014 and spent three weeks exploring, experimenting and recording with Leseure at the controls.
The project began with a great variety of songs and ideas, a unique and cohesive style emerged with an emphasis on live recording.
The resulting ten tracks are representative of the group’s evolution – beginning with a lush psychedelic sound and pushing towards a stark headspace. This album has been influenced by the beautifully dismal surroundings of the 1950s Funkhaus studio building (a former DDR radio center). In many ways IN HEAT NOT SORRY’s sound and atmosphere encapsulates the band’s ongoing fascination with testing and sometimes disrupting that fine balance between tranquility and chaos.
The project began with a great variety of songs and ideas, a unique and cohesive style emerged with an emphasis on live recording.
The resulting ten tracks are representative of the group’s evolution – beginning with a lush psychedelic sound and pushing towards a stark headspace. This album has been influenced by the beautifully dismal surroundings of the 1950s Funkhaus studio building (a former DDR radio center). In many ways IN HEAT NOT SORRY’s sound and atmosphere encapsulates the band’s ongoing fascination with testing and sometimes disrupting that fine balance between tranquility and chaos.
