
20 Jazz Funk Greats
Includes 8 page booklet
Repress of 20 Jazz Funk Greats, the landmark 1979 album from industrial music pioneers Throbbing Gristle. The impetus for the record apparently came about from Genesis P-Orridgeās mumās request that the band record something āniceā. The tame cover photo shows the nattily dressed band ā white disco jacket, comfy slacks, mini-skirt ā stood amid flowers on a clifftop. The chosen scene of natural beauty was Beachy Head, a notorious suicide spot.
20 Jazz Funk Greatsā cheerful breaching of lounge jazz and disco contains some of the bandās prettiest moments on songs like the breathy āHot on the Heels of Loveā. Similarly āTanithā and āExoticaā are gentle interludes in which TGās usual jagged punctuations are kept to a minimum. You could be fooled into thinking this was indeed easy-listening industrial. Pitchfork wrote that ā20 Jazz Funk Greats finds the band waking up from D.O.Aās dark night of the soul and feeling curiously frisky. Snacking on not only the titular funk and jazz, the band also takes touristic zig zags through exotica, rock and discoā, ultimately describing it as a ākitsch detour toward mutant discoā.
Uncut Magazine wrote that āmusically, it turned away from the precipice; not exactly jazz and funk, but sublimating TGās noise elements within electronic rhythms and proto-exotica.ā Dusted Magazine described the album as āa deliberate attempt to toy with the ideas behind marketing strategy and the purpose of musical genres.ā
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Description
Includes 8 page booklet
Repress of 20 Jazz Funk Greats, the landmark 1979 album from industrial music pioneers Throbbing Gristle. The impetus for the record apparently came about from Genesis P-Orridgeās mumās request that the band record something āniceā. The tame cover photo shows the nattily dressed band ā white disco jacket, comfy slacks, mini-skirt ā stood amid flowers on a clifftop. The chosen scene of natural beauty was Beachy Head, a notorious suicide spot.
20 Jazz Funk Greatsā cheerful breaching of lounge jazz and disco contains some of the bandās prettiest moments on songs like the breathy āHot on the Heels of Loveā. Similarly āTanithā and āExoticaā are gentle interludes in which TGās usual jagged punctuations are kept to a minimum. You could be fooled into thinking this was indeed easy-listening industrial. Pitchfork wrote that ā20 Jazz Funk Greats finds the band waking up from D.O.Aās dark night of the soul and feeling curiously frisky. Snacking on not only the titular funk and jazz, the band also takes touristic zig zags through exotica, rock and discoā, ultimately describing it as a ākitsch detour toward mutant discoā.
Uncut Magazine wrote that āmusically, it turned away from the precipice; not exactly jazz and funk, but sublimating TGās noise elements within electronic rhythms and proto-exotica.ā Dusted Magazine described the album as āa deliberate attempt to toy with the ideas behind marketing strategy and the purpose of musical genres.ā



















